Page 11

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One cannot read Shakespeare’s Sonnets coherently without understanding the framing story, which is based on Arthur Golding’s translation of the story of Narcissus and Echo from Ovid’s Metamorphoses.

"Yet love still sticks to her heart, through which she daily raves
The more for the sorrow of being repulsed.
Through restless strain and worry
Her body wastes away to skin and bone, and becomes wondrously bare.
The blood vanishes into the air from out of her veins,
And nothing is left but voice and bones: the voice yet still remains:
Her bones they say were turned to stones"

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Page 10

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One cannot read Shakespeare’s Sonnets coherently without understanding the framing story, which is based on Arthur Golding’s translation of the story of Narcissus and Echo from Ovid’s Metamorphoses.

Rejection.

Page 10 (Hi-Res)

  This latest page is available exclusively to my patrons - thank you all so much for your continued support!

I expect to be making page 10 publicly available (at lower resolution) within the next couple of days.

Page 9

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One cannot read Shakespeare’s Sonnets coherently without understanding the framing story, which is based on Arthur Golding’s translation of the story of Narcissus and Echo from Ovid’s Metamorphoses.

Echo manages to "communicate" with Narcissus, but to what end?

Page 9 (Hi-Res)

 This latest page is available exclusively to my patrons - thank you all so much for your continued support!

I expect to be making page 9 publicly available (at lower resolution) within the next few days.

Page 8

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CLICK HERE TO VIEW AT HIGH RESOLUTION

One cannot read Shakespeare’s Sonnets coherently without understanding the framing story, which is based on Arthur Golding’s translation of the story of Narcissus and Echo from Ovid’s Metamorphoses.

Echo falls in love with Narcissus and, unable to initiate a conversation, follows him in the hopes of an opportunity to repeat words that will tell him how she feels.